The 1812 version of Snow White is even worse when you consider that the girl was only seven years old in the tale (plus her unconscious body ended up being carted around by the prince until one of his servants accidentally woke her up). Also, in The Little Mermaid, the mermaid’s unable to speak because she had her tongue cut out >__<
But I’d love to see faithful adaptations of the original tales. Especially Bluebeard. We need a Bluebeard adaptation.
Actually, the original-original pre-Grimm Brothers’ stories that were passed around Europe via oral tradition are nowhere near as violent as the Grimm’s made them. Cinderella’s stepsisters were never ugly and kept their eyes, Snow White’s mother was not even a villain (instead a group of bandits were), and instead of spending the whole story napping Sleeping Beauty outwitted a dangerous bandit leader, wouldn’t let him sleep with her, and saved herself.
The original oral stories were radically changed by the Brothers Grimm to fit their personal and political beliefs. Most notably, they often added in female characters solely for the purpose of making them evil villains and took away most of the heroines’ agency and intelligence. Both brothers belonged to a small fanatical sect of Catholicism that vilified women because of the idea of Original Sin and Wilhelm in particular had a particularly deep hatred of women. The Grimms were actually pretty horrible people. Those cannibalistic queens and ugly stepsisters and the mass amount of violence against women didn’t exist until the Grimms wanted them to. Their ideas stuck so soundly though that we now assume they were in the original tales and that these terrible characters and ideas come out of some perceived barbaric Old World culture. But in truth they’re really the Grimms’ weird obsession with hating women showing through. The original oral folklore focused on the heroes’ and heroines’ good deeds and used them as ways to teach cultural norms and a society’s rules and encouraged girls to be quick-witted and street-savvy instead of passive princesses, and the Grimms promptly stripped that all away.
“Grimms Bad Girls and Bold Boys” by Ruth Bottingheimer is an excellent book on this
Something to add to my reading list.
So this guy Franz Xaver Von Schonwerth collected all these fairytales and in the 2000′s they were discovered in an attic and published. Unlike the Grimm brothers, he did not edit anything. The Grimms deliberately edited the stories to fit middle class tastes – they also were trying to create a national identity with these tales as a touchstone. Meanwhile Von Schonwerth’s goal was documenting the Bavarian oral traditions – which is why he didn’t edit the stories in his notes.
And the stories are weird and intense. Some have the classic “beginning middle end + moral” – some are just “here’s stuff that happened….”
And some of the endings…you know that story about a weary soldier who performs three tasks and gets to marry the princess? In this book, the soldier is continually rejected by both the king and the princess, so he brings an army to burn down the entire castle with everyone inside. The end, lol.
The other interesting thing is that while the Grimms tales had mostly female protagonists, Von Schonwerth’s have as many boys trying to escape nasty situations as girls. There are boys who cuddle up with frogs to discover that the frogs are princesses, there are boys called “King Goldenhair,” there are brothers fighting, and fathers sending sons out to stop being a burden on the family. In the introduction, Maria Tatar posits that the Grimms, having suffered from being orphans, may have avoided these types of stories.
Anyway, if you like fairytales, The Turnip Princess book is worth the read.
an incomplete list of unsettling short stories I read in textbooks
the scarlet ibis
marigolds
the diamond necklace
the monkey’s paw
the open boat
the lady and the tiger
the minister’s black veil
an occurrence at owl creek bridge
a rose for emily
(I found that one by googling “short story corpse in the house,” first result)
the cask of amontillado
the yellow wallpaper
the most dangerous game
a good man is hard to find
some are well-known, some obscure, some I enjoy as an adult, all made me uncomfortable between the ages of 11-15
add your own weird shit, I wanna be literary and disturbed
The Tell-Tale Heart, The Gift of the Magi, The Celebrated Jumping Frog of Calavaras County, Thank You Ma’am
the box social by james reaney. i remember we all had to silently read it in class, and you would hear the moment everyone reached the Part because some people would audibly go “what”
wHat did I just put my eyes on
“The Veldt” by Ray Bradbury
Not quite a short story, but read in class: “The Monsters are Due on Maple Street” from The Twilight Zone
Harrison Bergeron, Cat and the Coffee Drinkers
“Where are you going and where have you been” by Joyce carol oates
“The Pedestrian” by Ray Bradbury
the lottery by shirley jackson
i can’t believe Roald Dahl’s “The Landlady” wasn’t already mentioned
and also it’s not so much unsettling as more absurdist but “The Leader” by Eugene Ionesco definitely made me go wtf
Ett halvt ark papper. I cried so much.
Ночь у мазара, А. Шалимов
A Sound of Thunder by Ray Bradbury
I Have no Mouth, and I Must Scream by Harlan Ellison
The Lottery by Shirley Jackson
All Summer in a Day by Ray Bradbury
Some of Us Had Been Threatening Our Friend Colby, by Donald Barthelme
We read lots of good disturbing shit in hs or in the writing groups I joined in hs but somehow the top of the heap for shit that haunted me’s still indisputably Ethan Canin’s “The Palace Thief”. It’s not horror as such but it freaked me the fuck out.
There was another O. Henry short story we read that was also really alarming but I had to google a major spoiler (which is also a warning) to recall the name – “The Furnished Room”.
there will come soft rains by bradbury was very unsettling for middle school me
I had no idea so many were all written by Ray Bradbury, why did he do this to us
“Emergency” by Dennis Johnson – not entirely disturbing but really weird and there’s one Bad Part
“A Small, Good Thing” by Raymond Carver – again not all that bad but sad and kind of creepy
Bradbury wrote a lot of weird shit. But, “The Book of Sand” and"The Library of Babel" by Luis Borges.
“It’s a Good Life” – Jerome Bixby
“The Little Black Bag” – Cyril M. Cornbluth
“The Cold Equations” – Tom Godwin
“The Nine Billion Names of God” – Arthur C. Clarke
“Mars is Heaven!” – Ray Bradbury
“Born of Man and Woman” – Richard Matheson
“That Only A Mother” – Judith Maril
“The Country of the Kind” – Damon Knight
“Mimsy Were The Borogroves” – Lewis Padgett
“Lamb to the Slaughter” – Roald Dahl
“We Can Get Them For You Wholesale” – Neil Gaiman
“BLIT” and “Different Kinds of Darkness” – David Langford (set in the same universe) (there are a couple of other “basilisk” stories and they’re worth checking out)
“The Secret Number” – Igor Teper
“The Penal Colony by Kafka. Warnings for blood, death, and needles.
Someone has gone to the trouble of publishing a new set of Famous Five books for the modern era, complete with sarcastic millennial humour and adult jokes, but keeping the original aesthetic.
BEHOLD:
I found them in Dymocks and
they
are
amazing.
Witness, for example, this Entirely Relatable Content from Five Get Gran Online:
There’s also a bunch of others my shop didn’t have:
In conclusion this is why I spent fifteen solid minutes cackling maniacally in a bookshop this week and I thought you might like to know.
“In the early 2000s, Rose Christo was separated from her five-year-old brother and shuttled between foster homes in Brooklyn to the Bronx and back again. Desperate to be reunited with her sibling, she traveled the five boroughs, unable to find any trace of him, as New York State’s child care agencies failed to help her time and again.
Then, with the help of one beloved foster sister, Rose created an infamous piece of Harry Potter fanfiction titled My Immortal, posting it online under the pseudonym XXXbloodyrists666XXX. ”
I just really want to write a book (in fact, I think that I’m going to) where the protagonist is in a wheelchair. And they live in a city where there’s a group of superheroes. And there’s a big, magical, villain because of course there is.
And since they were a young child, this protagonist has wanted nothing more than to join the group of superheroes. Like they’re a huge fan of the group and they just know that it’s their destiny to join.
And one day, when wheeling through the city, they see the group of heroes fighting the villain. And they quickly wheel over and cry, “Let me help!”
But the ‘heroes’ laugh and instead make a whole bunch of ableist remarks.
And so the protagonist has to prove themselves.
And the villain is trying to warn them to stop.
But the protagonist ends up taking their footrest off of their wheelchair and they swing it. And it hits the villain in the side of the face and the villain collapses and groans in pain.
And so the protagonist proudly smiles and turns to the group of heroes.
Because they just proved that they are strong and worthy enough.
But the group of ‘heroes’ still keeps making ableist remarks.
And the protagonist is shocked.
And meanwhile, the ‘villain’ staggers to their feet and is standing next to the protagonist’ wheelchair.
And one of the ‘heroes’ goes too far when calling the protagonist the R word.
And the protagonist and the ‘villain’ just sort of glance at one another.
And the ‘villain’ is just like, “You know…I can zap them for you…if you want.”
And the protagonist hesitates and says, “Yeah, alright!”
One fried group of heroes later, the ‘villain’ says, “Why do you think that I’m always fighting them? They’re all a bunch of assholes.”
And the protagonist sadly nods and starts to wheel away.
Then:
“Hey, do you want a job?”
The protagonist turns at the villain’s remark. And the protagonist mumbles something like, “Oh, come on. I don’t need your pity.”
And the ‘villain’ is like, “Pity!? Do I look like someone who hands out pity!? I don’t pity you! I’m kind of afraid of you, to be honest! I mean…I’m going to have a giant bruise on my face because of you.”
“Yeah…sorry…”
“Water under the bridge! So, what do you say? Do you want a job?”
And the protagonist thinks about it for a minute before shrugging.
And the ‘villain’ is all excited because they’ve wanted someone to work with them for years but no mortal is allowed to ‘step into’ their lair.
And then the ‘villain’ stops and is like, “Hang on…you can’t work with me in that.”
And they gesture to the protagonist’s wheelchair.
And the protagonist is all embarrassed.
And then the villain goes, “Because we can get you a much better wheelchair! It’ll look great! And it’ll be indestructible! And it’ll have all sorts of weapons and gadgets! Hey, how do you feel about flying…?”
And all of that is literally in the first chapter and then the rest of the story follows the two going around the city like BAMFs, forcing people to stop being ableist, one way or another. And maybe it’ll have some commentary on the scale of morality and what it truly means to be a hero and what it truly means to be a villain.
Would anyone be interested in this!?
Because I really want to write it!?
YESSSSS. ALL MY YES PLS WRITE IT
I’D READ THE SHIT OUT OF THAT YES PLEASE
OP HERE!
Man, it’s so surreal to look at this.
BECAUSE I ACTUALLY WROTE IT!
AND IT WAS JUST PUBLISHED TONIGHT!
Of course, there are some differences between the final book and this original idea. The most notable difference is that all of this takes place in the first book (it’s going to be a series!) and the whole ‘superhero’ thing is just going to be a front. There’s a few other differences as well (such as a huge plotline involving Merlin and immortal characters!)
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